Dior by Jonathan Anderson
The best creatives learn the rules so they can break them. Jonathan Anderson mastered archive Dior codes to play with notions of dress-up, borrowing from the cantilevered hips of a 1952 silhouette for the covetable La Cigale handbag. The 1948 Delft dress informs miniskirts in the women’s collection as well as men’s stacked canvas cargo trousers. The Bar jacket – a Dior designer’s rite of passage as a defining feature of the New Look, which made Monsieur Dior an authority in post-war style – is reworked in shrunken proportions and cut from Anderson’s favourite Donegal tweed, speckled with sequins. Christian Dior’s couture legacy underpins the French maison’s future, where boys throw on checked shirts and undone sneakers while the girls don tuxedo tops.










